Description
Founded in 2004 by Fabrizio Barozzi and Alberto Veiga, the Barcelona-based studio Barozzi Veiga has become one of the most prominent Spanish firms on the international scene. Since then, along with teaching and research, they have worked on public and private projects, focussing on cultural, civic, and education buildings. This issue presents eighteen works and projects that track the evolution of a language marked by serene and bold geometries, control of scale and light, and a determination to combine the autonomy of the building’s form with the specifics of context.
CONTENTS
Luis Fernández-Galiano, An Abstract Classicism
Philip Ursprung, Three Entry Points
Works and Projects
Infanta Elena Auditorium, 2004-2011, Águilas (Spain)
Ribera del Duero Regulatory Board, 2006-2011, Roa (Spain)
Szczecin Philharmonic Hall, 2007-2014, Szczecin (Poland)
Private Residence, 2008-2010, Ordos (China)
Bündner Kunstmuseum, 2011-2016, Chur (Switzerland)
Musée Cantonal des Beaux-Arts, 2011-2019, Lausanne (Switzerland)
Ragenhaus Music School, 2012-2017, Bruneck (Italy)
Tanzhaus Zürich, 2014-2019, Zürich (Switzerland)
Solo House, 2014, Cretas (Spain)
Artists’ Ateliers, 2016-2021, London (United Kingdom)
Guerrieri Rizzardi Wine Cellar and Museum, 2016, Bardolino (Italy)
Guerrieri Rizzardi Guest House, 2016, Bardolino (Italy)
Saint-Malo Maritime Museum, 2017, Saint-Malo (France)
Dynafit Headquarters, 2018-, Kiefersfelden (Germany)
Art Center, 2019, Aalborg (Denmark)
Jewish Museum of Belgium, 2020-, Brussels (Belgium)
Groeninge Abbey Art and Exhibition Spaces, 2020-, Kortrijk (Belgium)
BIST Institute of Science and Technology, 2021-, Barcelona (Spain)

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