Description
When it comes to Jun Aoki’s projects related to art, regardless of the intended function, the architecture remains open to diverse uses, inviting relationships that have yet to be fully seen or defined. Aoki embraces ambiguity and contradictions, allowing for the coexistence of differing values and rhythms that each individual brings to the experience of art. The 25 featured projects include public art museums, galleries, exhibition designs, and artworks. Each transforms into a unique spatial experience depending on the art it hosts, the people who visit, and its moment in time. With new essays and commentary by Aoki, this is a glimpse of architecture’s potential to suggest a freer future.
CONTENTS
Preface 4
Kyoto City Museum of Art (Kyoto City KYOCERA Museum of Art)
Proposal for V&A Exhibition Road
Proposal for TOPOGRAPHIE DES TERRORS
Proposal for Fukuoka Prefectural Museum of Art
Proposal for the Museum of Modern Art, Shiga
Essay: In-Between
TARO NASU OSAKA, TARO NASU BAMBI
TARO NASU
ShugoArts
the red and blue line
Language and Art: Takashi Hiraide and the Artists
Okayama House
Wobble Tube
U bis
Naofumi Maruyama Kicking the Water: Sengokuhara
Wonderment Noe Aoki / Ritsue Mishima
Aki Kondo: What I Saw, When I Tore Myself Open
Essay: Renovation as Negation
AOMORI MUSEUM OF ART
The Wright Imperial Hotel at 100: Frank Lloyd Wright and
the World
cobweb and spider
Essay: Fluxforms, Rrevisited
Exhibition as Temporary Renovation
Shin-Masaki Memorial Gallery
Birds Keep Swimming
HAPPY TURN 132
Clouds and Breaths
RABBIT HOLE
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