Description
The Dissertation is one of the most demanding yet potentially most stimulating components of an architectural course. This classic text provides a complete guide to what to do, how to do it, when to do it, and what the major pitfalls are.
This is a comprehensive guide to all that an architecture student might need to know about undertaking the dissertation. The book provides a plain guide through the whole process of starting, writing, preparing and submitting a dissertation with minimum stress and frustration.
The third edition has been revised throughout to bring the text completely up-to-date for a new generation of students. Crucially, five new and complete dissertations demonstrate and exemplify all the advice and issues raised in the main text. These dissertations are on subjects from the UK, USA, Europe and Asia and offer remarkable insights into how to get it just right.
CONTENTS
Introduction
- Why Write a Dissertation
- The Guidebook
Starting
- What is a Dissertation?
- Selecting a Dissertation Subject
- Assessing a Dissertation Subject
- Choosing and Working with a Supervisor
- Writing a Proposal
Researching
- What is Research?
- Historical and Critical Methodology
- Research Techniques
- Libraries and Archives
- The Internet
Preparing
- Structuring a Dissertation
- Working Methods
- Illustrations
- Referencing
- Bibliographies
- Plagiarism
- Submitting a Draft
- Word-Processing
- Alternative Dissertations
Presenting
- General Presentation
- Illustrations
- Computer Software
- Assessment Criteria
- Oral Examinations
Afterwards
- Further Research and Study
- Publications
- Troubleshooting
Dissertation Excerpts
- Joseph Godlewski, “Alien and Distant: Rem Koolhaas on Film in Lagos, Nigeria.”
- Ocean Howell, “The ‘Creative Class’ and the Gentrifying City: Skateboarding in Philadelphia’s Love Park.”
- Mairi Johnson, “Once Upon a Sign: Relationships of Architecture and Narrative in the United States Holocaust Memorial Museum.”
- Joanna Rapp, “A Geometrical Analysis of Multiple Viewpoint Perspective in the Work of Giovanni Battista Piranesi: an Application of Geometric Restitution of Perspective.”
- Amy Thomas, “‘Mart of the World’: an Architectural and Geographical History of the London Stock Exchange.”
260 pages, 46 black & white illustrations / 14 x 21,5 cm / English
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